Savannah Cordova

Contributor

Savannah Cordova specializes in content about fiction writing and the editorial process. Her work has appeared in Slate, Kirkus, BookTrib, DIY MFA, and various other outlets focused on writing and publishing. She particularly enjoys analyzing wider publishing trends and trying to predict what will happen next in the industry.

Savannah's short fiction has also been published in the Owl Canyon Press anthology No Bars and a Dead Battery. Her non-publishing interests include cooking, watching rom-coms, and visiting various art museums around London, where she is currently based.

Recent posts

Quotes for writers: 35 global authors' advice

Respected authors from around the world often share useful advice and ideas on writing. World Book Day is all about celebrating 'the power of books to promote open and inclusive knowledge societies', as UNESCO says. With that in mind, here are valuable insights from authors from the USA to Peru,...

April 23rd, 2018

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Plot structure: How to shape an intriguing plot

Plot structure or narrative structure is a key element of story. Even the most simple children's stories have story events that relate to each other, showing intriguing cause and effect, action and reaction. Here are tips for shaping your story so there is satisfying connection between scenes an...

March 19th, 2018

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Writing a good book: 10 ingredients of great novels

Writing a good book is something every fiction writer aspires to. When writers ask for help writing a book, a popular question is 'Is my idea good enough?' Having a great story idea to start with helps. Yet a satisfying novel is a combination of many key components. Here are 10 ingredients that ...

March 8th, 2018

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How to expand your novel idea into a stronger story

Novel idea generators and writing prompts are some tools for finding ideas for a story. Yet once you have your central idea - the single sentence that encapsulates the key, interesting details - you need to expand this so you're ready to draft. Here are tips for finding interesting plots, sub-pl...

March 5th, 2018

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Writing dialogue between multiple characters

The Oxford dictionary defines dialogue as 'a conversation between two or more people as a feature of a book, play, or film' (OED). Yet the 'or more' (dialogue between more than two characters) is often confusing to write. How do you write and format dialogue well in a scene involving more t...

February 12th, 2018

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Story climax examples: Writing gripping build-ups

Sometimes we overstate the importance of 'climax' in a story. After all, some novels end with anti-climax. Bret Easton Ellis even ends a novel mid-sentence. All the same, knowing how to create a gripping build-up is useful, especially if you're writing a fantasy or thriller. Here are tips gather...

November 23rd, 2017

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