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Writing conversations using setting (examples)
Writing conversations that don't involve setting is like writing action scenes that don't involve movement. Great dialogue has more than disembodied voices. It anchors us in a place, in the context that occasions characters' interaction. Read tips for creating realistic dialogue by involving you...
October 8th, 2018
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How to write a book series: 6 secrets of success
Learning how to write a book series means mastering the challenges specific to series-writing. Sustaining characters' development over a longer time. Sustaining conflict, tension, and irresolution too. Here are six secrets to creating a successful series: 1. Choose a central idea that creates...
October 4th, 2018
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Realistic dialogue: Creating characters' speech patterns
Realistic dialogue moves stories along. When you give each character an interesting voice and persona, it's a joy to read their conversations. Varied, entertaining speech takes readers into the heart of your characters. Remember, too, that dialogue is crafted speech, and doesn't have to be e...
September 27th, 2018
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How to end a novel: Writing strong story endings
Knowing how to end a novel is an essential skill for fiction writers. Story endings often stay with us as readers - especially when they're satisfying, haunting, clever or profound. Here are 7 ways to end a novel. May they inspire you to find the best closing for your story: 7 ways to en...
September 25th, 2018
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Character motivations: 6 questions on what drives your characters
Character motivations make characters' paths credible. When a character's behavior reveals their deeper drives, urges and impulses, they feel fully human. Read 6 questions that will help you work out characters' motivations: 1. What is their history or backstory? Backstory is your characte...
September 20th, 2018
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Writing tense dialogue: 5 ways to add arresting tension
Writing tense dialogue is effective in making characters' conversations interesting. When every exchange is a pleasantry or obvious observation, dialogue doesn't do the work it can to move a story along. Tense dialogue, whether an argument between colleagues, lovers, or hero and villain, adds a ...
September 17th, 2018
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Writing coach advice: 8 things I learned writing my debut
This is a guest contribution by Alyssa Hollingsworth, a writing coach at Now Novel whose debut The Eleventh Trade is out this month with Macmillan in the US and HotKey in the UK. About the same time I began working for Now Novel as a writing coach, my literary agent Amber Caravéo asked t...
September 12th, 2018
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5 ways to subvert character clichés and archetypes
This guest contribution by the team at Reedsy explores ways to subvert character clichés for a less predictable story. Creating the next Harry Potter or Holden Caulfield is no easy feat! When writing secondary characters in particular, it’s easy to fall back on clichéd archetypes and stock ch...
September 6th, 2018
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How to write mystery: 6 ways to create suspense
Learning how to write mystery is easy when you understand the ingredients of mystery and suspense. Every good story has unknowns readers want answered, yet a good mystery makes us need to know. Here are 6 ways to create suspense and build mystery: First, what are mystery and suspense? ...
September 3rd, 2018
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10 dialogue tips to hook readers
Understanding how to write dialogue in a story enables you to bring characters to life using their individual voices. Great dialogue moves your story along at a good pace, giving your reader a break from non-stop narrative prose. Try these dialogue tips for writing effective speech: How to us...
August 30th, 2018
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Finding sentences to start a story: 7 methods
The beginning sentence of a story is often what we'll tweak last. Finding sentences to start a story is easier, after all, when you know later developments you could echo. Read 7 examples of effective opening sentences and the options they suggest for ways to begin: 1. Introduce a key charact...
August 27th, 2018
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Character flaw list: 30 intriguing character flaws
Great, character-driven stories often have deeply flawed characters at their heart. Human flaws such as lust for power, greed and jealousy explain the errors many tragic figures from books make, from Mr Kurtz to Lord Voldemort. Let's briefly look at three types of character flaws. A minor ch...
August 20th, 2018
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